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Paul Theroux on Hunter S. Thompson

Why this should have appeared in the UK Guardian rather than the NYT Books section or some other native publication is beyond me, but nevertheless I was delighted to read one of my favorite writers on another of my favorite writers: "The Real McCoy: Paul Theroux recalls high times with Hunter S. Thompson, the writer and self-described outlaw who died last week" (thanks owed, as they often are, to Sanders the gleaner):

He was a living reminder that satire at its best is a savage business. He was unsparing, self-punishing, in the way he lived his life. His friends adored him. Such a brooding presence could not be the life of the party but he was always its soul.

Libraries - books and the long, long tail

This week I have been prodded to consider the role of libraries in the long tail for books. I still have some thinking to do, but I thought a good way to start gathering information might be to ask the Google Independent Publishing Group whether or not they feel that getting their books into libraries would be useful to them and if so then why.

Libraries clearly remain significant customers for books--North America alone has 11,000 libraries--and library usage represents an untapped pool of data on books and book users every bit as powerful as the data being collected by Amazon.com. Unlike Amazon.com, however, libraries have no profit incentive to aggregate this data, and it occurs to me that they are if anything disincented to do so because of privacy concerns. On the other hand, libraries do have an incentive to serve their customers better. University libraries in particular seem to be thinking hard about how not to become irrelevant, as the Stanford/Google partnership makes clear.

In a similar vein, I ran across another bit of longtailiana via Chris Anderson's blog:  a commentary (from the blog makeoutcity) about the book,  So Many Books: Reading and Publishing in an Age of Abundance, by Gabriel Zaid, which I intend to read at some point.

Jay McCarthy, the blogger, summarizes Zaid's points as follows:

  • The publishing of books is at such an explosive rate that it is impossible to read any significant portion of them.
  • This is not a bad thing, in and of itself, because most books are only interesting to a few people, and these people generally find the books they want to read.
  • Reading itself is not always a desirable activity, morally or aesthetically speaking. Socrates famously disliked books because they are not as powerful or responsive as a real conversation.    
  • The only real problem this represents is that more people want to write books, than want to read them. Statistics related to academics are abound, as well as an interesting survey that found over eighty percent of Americans feel they should write a book.
  • Books are the most versatile media form because they support blockbusters and experimentation--they promote wealth, diversity, and creativity. This is because the barrier to entry is so much less than a movie or a television program, and thus a book doesn't have to make as much money to be justified, and thus it does not have to appeal to as many people to be published. Thus diversity flourishes and hits are possible.
  •     Although not necessarily a problem, because it is sometimes solved, another issue with the deluge of books is finding the books that are right for you. A book may be perfect for three thousand people, but often times only two thousand find the book. Book advisors, book clubs, and "constellations" of readers and books are ways around this and they all have room for improvement.

Calendars for people who love airplanes

Lulu storefront of the day for Friday, February 25, 2005: Lockett Books, from Brian Lockett of Air-and-Space.com, home of the Galeta Space Museum. It's a bit late for me to be posting about calendars, but I've been meaning to make this the storefront of the day for some time. My father will appreciate this one.

Marketplace for digital content (v364): Odeo

The NYT reports today on efforts by Evan Williams, one of the original Blogger founders, and Noah Glass to mount  yet another attempt at creating a digital marketplace: "For a Start-Up, Visions of  a Profit in Pod-Casting." Odeo arises out of the recent fad of podcasting, but has broader (and more strategically sound) ambitions as well. The article notes that companies like Audible (which is also getting into the Podcasting business) are already booming because of "the rapid proliferation of iPods and other handheld MP3 devices that are capable of playing digital audio files containing news, music and talk radio, as well as an increasingly diverse array of amateur productions that are more difficult to categorize."

Most tellingly (and for those of us at Lulu this sounds awfully familiar), Williams explains that:

Odeo plans to base its business on the premise that the explosion of digital audio content has created the need for a central place to find relevant material and that there will also be a need for a market to buy and sell "premium" content in much the style of the eBay online marketplace.

Odeo, noting that advertising is already an accepted component of conventional radio, also plans to embed automatically generated audio ads within the downloadable files.

Interesting that the gamble seems to be, once again, on free content with advertising (Google) vs. charging for content (iTunes, Lulu), although it's not clear to me whether or not Odeo plans to charge for downloading podcasts. When it comes to  content, they seem to realize that people will create and publish it whether or not they make any money. In other words, creators care more about exposure than compensation, an observation that Chris Anderson echoes in his most recent Long Tail Post, "What About Producers?":

Finally, it's worth noting that commercial success is not the only (or even main) reason to be a Long Tail producer. Most authors write books not to get rich but to reach a readership, whether it be to enhance their academic reputation, market their consultancy, or just leave a mark on the world.  The Long Tail effect may not pay their rent, but it will find them a bigger audience, and if what they're offering is really good it may be dramatically bigger.

Wildlife Habitat Journal

Lulu storefront of the day for Wednesday, February 23, 2005: The Wildlife Habitat Journal

           
The Wildlife Habitat Journal - Restoring and Exploring Wildlife Habitat in Your Own Backyard
by Betsy S. Franz

[also in the books-to-prepare-for-spring category: Venomous Snakes Of The Southeast, by Chad Minter]

The dark side of Nancy Drew?

Lulu storefront of the day for Tuesday, February 22, 2005: The Dark Side of River Heights:  observations of the untold and the unflattering, by Renee Walker.

"Begin your own investigation of the untold and unsavory secrets in the world of Nancy Drew!"

Who would have guessed? And The Tampa Tribune ran a story on it today, too: "Sleuthing the Sleuth,"  by Ronnie Blair.

Hunter Thompson dies

After discovering Hunter Thompson and new journalism as an idea at the age of seventeen, and spending the next eighteen years of my life incredulous that he was still alive, it's now hard to believe that he is dead. But Hunter Thompson  made his exit from the world yesterday, and the New York Times did an admirable job of pulling together an obituary on short notice. I suspect it was easy. The author didn't have to look up many details because he already knew them. No one I ever met who wanted to be a journalist wasn't inspired at some point by Thompson's ferocity and independence. He was at his best in 1970, when he wrote "The Kentucky Derby is Decadent and Depraved."

Online comics in print: Stealth

Lulu storefront of the day for Friday, February 18, 2005: Stealth, the online comics of William Satterwhite (see the press release at Silver Bullet Comic Books).

[On a separate note, I'm off to Myrtle Beach--land of 1,000 putt-putt courses-- today to run the marathon on Saturday.]

The Elvish Linguistic Fellowship

Lulu storefront of the day for Thursday, February 17, 2005: The Elvish Linguistic Fellowship, "an international organization devoted to the scholarly study of the invented languages of  J.R.R. Tolkien," and publishers of the journal Vinyar Tengwar.

[I have a great job, don't I?]

Three tales of independent publishing from Bayou country

As someone who has followed many a newspaper and magazine journalist's take on POD and self-publishing, I can attest that this article from the Greater Baton Rouge Business Report is much better than the average piece on these topics:
Vanity or sanity? How three local authors took books from concept to customer in the hit-or-miss world of self-publishing, by Jeremy Alford.

While the reporter refrains from offering any penetrating insights into the future of publishing or the changing book business (which is not really the purview of reporters anyway), he offers those rarest of things: 1) three well-researched, different examples, and 2) a clear explication of each example with particular attention to the financial details.

The result is an article that offers a lucid glimpse at the economic realities of publishing a book on your own, including the potential costs of paying for editing (from costs rolled into the per book price from Booksurge to hiring an editor for $3000 to mistakenly failing to pay for professional editing), and for design ($1,500 to $2,000). In all cases the author acts as his own distributor (Lulu does not appear as an example, in case you are wondering) and pays, depending on his up-front costs, between $2 (offset run) and $8 (Booksurge) per book.

Compare the quality of journalism displayed in this piece to the confusing and sometimes misleading examples offered in the Minneapolis City Pages story from November, and (to a lesser extent) in the recent Washington Post piece. Well done, Mr. Alford. The Wall Street Journal itself  couldn't have done better.

LinuxJournal: Open source publishing case study

LinuxJournal offers an article, "Linux as a Publishing Platform," that serves as a good case study on independent publishing using DocTools and  Scribus, an open source desktop publishing tool (only geeks without any need for the comforts of intelligible language need follow the link). 

Author Clinton R. Nixon published the Shadow of Yesterday, a role-playing game, and is distributing it through his own publishing imprint, Anvilworks. The Scribus site also links to another interesting title producing using the software.

Nixon apparently works at a printer and was able to do an initial short run of 300 books (not sure how that fits into the open source publishing model, but that's neither here nor there). It's too bad he didn't use Lulu, which seems to be acquiring a number of other RPG publishers, including:

An "erotic graphic novel" by Eric Moore

Lulu storefront of the day for Wednesday, February 16, 2005: The art of Eric Moore, author of the graphic novel Gothic Rose: Origins. [While "erotic graphic novel" seems unlikely to take off as a marketing phrase, this is nevertheless an interesting enterprise.]

Gothic Rose: Origins, a graphic novel by Eric Moore

The letters of Lieutenant James J Ferris

Lulu storefront of the day for Monday, February 14, 2005: Jimmy's Letters: The Correspondence of an American WWII Fighter Pilot , by Elizabeth Badenhausen

             
Excerpts  
WWII letters of Lieutenant James J Ferris IIIWWII letters of Lieutenant James J Ferris III

Blog-apallooza

The 2005 Triangle Bloggers Conference turned out to be both interesting and well-attended thanks to the efforts of Anton Zuiker, Paul Jones, and many others. The blogging world was well represented of course, with attendees including Dave Winer, Bigwig, and the young father who writes The Trixie Update (which appeared prominently in a recent NYT story), but so was the world of traditional media in the person of Dan Gillmor, the keynote speaker, as well as others in the audience like Phil Meyer, a journalism professor and columnist for USA Today.

If you've been to more than one blogging conference, you've probably heard the same topics covered ad nauseum, but one of the things I found interesting to hear was a debate over the various motivations for blogging in the first place, which are--not surprisingly--very much the same as debates over why to write at all, why to paint, why to create. Do you create a blog to be read? Do you do it for yourself? Are you motivated by altruism or ideology?

Of course you create a blog to be read by other people. It's disingenuous to pretend otherwise. You may counter that a true creator is by definition someone driven by a compulsion, but it is impossible to separate the desire for a reaction, for an audience (both of which equal status and affection), from the impulse itself. You are always writing for other people; writing itself is a form of communication, which is to say that it is directed outward, and not inward.

While I would be the first to volunteer that writing provides me with a way to think more clearly, which is of benefit primarily to me, the same could be said of talking. If I wanted clarity but didn't want to communicate with other people, I'd meditate quietly or scratch my thoughts in the sand.

When you write, you do so for other people. Not to take anything away from the diversity of motivations that informs all human (and publishing) endeavors, I would add that the desire for status--for power and respect and affection--stands squarely in the center of all our interactions with other people, like it or not. Of course you want your blog to be read, your novel to be read, your music to be heard. Many of the writers I see would perhaps do better work if they were more frank with themselves on this point. But there are those who steadfastly assert that they create for themselves alone. More power to them, I suppose.

I was very impressed with the intelligence on display at the conference, from a mini-discourse on the long tail theory and blogs by BigWig--whose eclectic Silflay Hraka includes a fascinating series of Holocaust photos called Unseen History--to an explanation by journalist Ed Cone of the pioneering adoption of blogs by the Greensboro News-Record.

BigWig made an offhand comment that those of us attending on from Lulu were perhaps in a unique position to appreciate. He noted that "blogs are the bleeding edge of vanity publishing." Indeed! [And I thought Lulu was the bleeding edge...but nevermind] That comment came back to me more than once during informal conversations between sessions as no less than two different individuals interrupted my attempt to explain Lulu by saying, with typical dismissiveness, "so it's just a vanity press, right?" Ummm, yesss . . . in the same way that Typepad or Blogger are vanity presses, or DreamWeaver, for that matter.

The Internet itself is the ultimate marketplace for vanity publishing, is it not? In that most of what drives the creation of blogs, personal web pages, etc. is in fact ego (see above). But leaving aside the complexity of ego-driven motivations, some part of all this publishing is -- as no one could credibly deny at this point -- useful. Which is also true of the 19,000 (and counting) titles published on Lulu.

It was ironic to hear bloggers of all people scoff at the idea of self-publishing, but there are always  those on whom irony is lost. Even as the conventional media slowly comes around to accepting the significance of blogs and other web publishing ventures, it is useful to remember how the emergence of the web was once treated. Newspapers, television, and their brethren were fairly slow to adapt to the web because they saw it as one enormous vanity press. If anyone can publish anything, protested pundits, all you will end up with is a sea of nonsense. They treated the web like a public pool. Many of them still feel that way about bloggers. And some bloggers, in turn, seem to react the same way to Lulu. But that will change.

On a related note, the UK Guardian ran a story today on the unprecedented accessibility of publishing that specifically mentions blogs being turned into books (including a note about Lulu-hosted LJBook): See "Cover Stories." [post script--the article is actually an old one, a fact I missed when I first blogged this]

After the conference I got to spend an afternoon drinking beer and shooting pool at the Cave (as we often did in days of old) with my old friend, Matt, who has been through quite a few of these exercises in blog-talking. He, too, has started to weary of the phenomenon of blogger triumphalism that inevitably arises when you get a bunch of bloggers together, particularly those of a political bent. The dangers of "Blog Overkill" were noted in a recent Slate.com article by Jack Shafer, who has suffered through the chanting of more than one set of would-be revolutionaries. More than one blogger at this conference described his work as research or investigative journalism, which suggests a frightening lack of perspective on the kind of work required by real investigations (given that most of these folks are just using Google). I was reminded of the ridiculous blog-fueled speculation about the box under George Bush's jacket. Newspapers get it right most of the time. Bloggers, in aggregate, get it right some of the time. Having both is better than having only one.

That said, the world is full of experts in all kinds of obscure areas, and they can publish a web page (or publish a book) as easily as the rest of us. And, poor editing and all, those people can offer something that is valuable to others. Shafer's article offers a cautionary note, too, to those of us promoting a revolulution in publishing. Nevertheless, I remain an unrepentant blog enthusiast. Blog on, comrades! And if they don't like it, let them read Slate.

An optimist's view of the Internet

Seth Godin, author of the influential books Purple Cow and Unleashing the Ideavirus (among others), posted his list of ten reasons that the Internet is a phenomenon still in its infancy, which offers an optimistic vision for all of us who use the Internet, but also for those of us, like Lulu, creating a  business that exists entirely on the web. Godin is always very persuasive -- he is the force behind ChangeThis, the manifesto site I mentioned earlier in the week, and he is a master of the form (not to mention its close relation, the list of ten).

On that note, I am off to the Triangle Bloggers Conference to serve coffee and donuts and to meet the invisible tribe of Triangle people who blog together.

Craig on Craig's List

On the topic of blog together (or building communities on the Internet): Anyone who has spent any amount of time around me knows that I suffer from a sporadic obsession with Craig's List dating back to 1996, when I lived in Oakland. ChangeThis, a site dedicated to publishing manifestos (a literary form also close to my heart), offers this: "Why Craigslist Works, by Craig." Craig offers no new insights in this brief essay, just a restatement of his philosphy that the Internet is really about connecting people. I think my friend Mathew Gross, who used to blog for Howard Dean (and who should be making an appearance at the Triangle Bloggers Conference), would probably say the same thing.

Guardian's Top Ten Literary Blogs

The Guardian UK--itself no slouch at blogging--has posted a list of the top ten literary blogs. Handy. Some of the usual suspects appear, but there are also one or two that are new to me.

Cinematography Reference Books

Lulu storefront of the day for Monday, February 7, 2005: Cinematography Mailing List: The Books. The publisher of a reference and discussion web site for cinematographers appears to have taken some of the conversations from his web site over the last few years and turned them into reference books. Well done.

On another note, I ran across an eclectic public domain e-book site today, xooqi.com, which includes Slips of Speech, by John Bechtel (1895).

Taste is a universal gift. It has been found in some degree in all nations, races, and ages. It is shown by the savage in his love of personal decoration; by the civilized man in his love of art.

But while it is thus universal, it is as different among men as their faces, complexions, characters, or languages. Even among people of the same nation, it is as different as the degrees of society. The same individual at different periods of life, shows this variableness of taste.

These diversities of taste imply a susceptibility to improvement. Good taste in writing forms no exception to the rule. While it seems to require some basis in nature, no degree of inborn aptitude will compensate for the lack of careful training.

To give his natural taste firmness and fineness a writer needs to read the best literature, not merely so as to know it, but so as to feel the beauty, the fitness, the charm, the strength, the delicacy of a well-chosen word. 

For some odd reason the publisher appears to be using CafePress for print fulfillment rather than Lulu. There's no accounting for taste. [not that I don't think CafePress is great--they are--just not as good for books as Lulu. Which reminds me, if you're not familiar with it already, you should check out Zazzle.]

Slashdot on Atlanta Nights

Holy smoke. I missed this yesterday partly because mail servers at work have been down, but (not surprisingly) someone at Slashdot apparently picked up the LA Times story (or some other Atlanta Nights tendril of  the blogosphere) on Saturday night and posted it to the mother of all blogs.

The resulting thread turns out to be one of the more interesting and on-topic Slashdot threads I've ever seen, although there is (from my cursory scan at any rate) zero discussion of the new technology that has made this sort of thing possible. Which is odd, really, given the context. Much time is spent hashing over the details of the Sokal Affair, an academic publishing hoax. Much more time is spent engaged in small-minded banter over the concept of self-publishing, which is typical of this sort of discussion but which completely misses the point.

As one of the comments added to my previous post suggests, there is a reflexive bigotry toward the notion of POD and independent publishing. Some of it ironically emerges from authors who have clawed their way onto the lower rungs of the publishing ladder using conventional means and feel it necessary to kick at the clamoring masses below them. Just as old-school journalists are slowly learning to respect the power of blogs (after being kicked a few times hard), conventionally published writers need to learn to reject the hierarchies they have been taught.

The best overview of the Atlanta Nights affair, to my knowledge, remains Making Light, the blog of Teresa Nielson Hayden.

Long Tail media: blogging toward Bethlehem

Chris Anderson has posted a pretty succinct outline of 'long tail'-driven changes in media using, of course, blogs as exhibit A. He closes by referencing an essay by Dan Gillmor, which provides me with a good opportunity to note that Dan Gillmor will be attending the 2005 Triangle Bloggers Conference, which will take place at UNC-Chapel Hill on Saturday, February 12. The conference has been put together by Anton Zuiker and Paul Jones and is shaping up to be quite an event. I am pleased to report that Lulu will sponsor coffee and donuts that morning.

LATimes on Atlanta Nights: Too Broad a Brush

Now I have enjoyed the Atlanta Nights story as much as anyone (see previous posts here and here). But I must take issue with one element of an L.A. Times story from yesterday titled "Please Publish This Dud," which characterizes Lulu, in a dismissive way, as a vanity press.

I certainly get the joke. In addition to its wit, the Atlanta Nights hoax--which for those just tuning in involves a group of sci-fi writers who intentionally penned a terrible novel in order to prove that PublishAmerica is a vanity press--does indeed carry within it a truth. All good jokes carry the kernal of truth, do they not? The truth is that most books published using POD technology--including the majority of the books on Lulu--would indeed be considered bad by most people. But what does that mean, really--most people? 

I want to make two comments. One is about dismissing the concept of independently publishing books out of hand and the other is about Lulu specifically.

On the topic of publishing books that very few people would consider good, Atlanta Nights provides a nice illustration of the point that a book's value (or the value of a movie or a song or a piece of sculpture for that matter) is not measurable in absolute terms. That's because a book's value is a perceived value. In other words, its value is in the eye of the beholder. Atlanta Nights is a bad novel, but it is bad in such a way as to arouse interest and amusement. I haven't tracked its sales, but clearly many people have downloaded it and more than a handful have even purchased it. At what point does the size of an audience justify a bad book's existence? Is it a potential audience of 5,000, the minimum that might allow a book to be considered by most conventional publishers? If you write a book with a smaller potential audience, should you NOT be given the opportunity to publish it? What is the threshhold then? I would argue that even the 5,000 copy threshhold set by old-school publishers is driven less by relative factors like value--is the book good?--than by economic and technological factors. Because of the investment necessary to print a book and make it available by conventional means (not to mention the cost of marketing it), the publisher cannot consider a book with a potential market under a certain number of readers.

What print on demand offers is a different threshhold for publication from an economic and technological perspective. POD makes it economically feasible to offer a book for sale with an audience of 500, or 10, or one, or no one. The means of production has nothing to do, in this respect, with the quality of the book. There are well over 18,000 titles available on Lulu. Many are unreadable. But many of them are fascinating and interesting. Just browsing through new titles each morning is the best part of my job.  Who would argue that these authors ought not to be able to offer their books to others? If so, would you argue the same thing about publishing a web site, or a blog? That some kind of minimum audience should be guaranteed prior to publication? Nonsense. Remove the barriers. Offer everything. Let the market decide what is worth buying.

The other point I wanted to make is about Lulu specifically, which the LA Times article lumps in with the likes of iUniverse and Authorhouse. By and large, naive authors are the target market of companies like these, which the article describes as 'vanity presses'. These authors want a publisher and for one reason or another haven't been able to find one. I have nothing against these authors (I have a bit of naive author in me myself), but there are important realities that 'vanity presses' obfuscate in order to play to the emotions of their target market. Primary among them is the reality they these companies are not themselves 'publishers' in any real sense, and that without some form of marketing it is unlikely that people will ever be prompted to read the books being published. It is in the interest of 'vanity presses' to present themselves as publishers, or as being one step removed from publishers.

By contrast--and this is the point that aggravated me in the LA Times story--Lulu presents itself in no way as a publisher. Lulu is a technology company. If you don't believe me, take a look at its origins. Lulu provides technology that allows someone--anyone--to distribute content that they believe has some value. It is not up to us what people publish. The entire process, in fact, is automated from upload to printing and shipping. No human is likely to lay eyes on a book unless something brings it to his attention. That's a cold reality for an author whose love and labour has given rise to a book, but--like the emergence of the Internet itself--it's also a liberating one for both creators and consumers. You can publish what you choose to and you can read whatever you like, even if it's a bad novel.

Spiderworks

Lulu storefront of the day for Friday, February 4, 2005: Spiderworks--"quality eBooks" from the likes of  Danny Goodman, author of Danny Goodman's AppleScript Handbook (Mac OS X Edition).

I have been derelict in posting the Lulu storefront of the day lately, but not by any means as a result of any slowdown in the amount of interesting content being published through the site. Quite the contrary--there are more books than ever before finding their way into the market through our little portal into the great publishing id.

We've been busy the past week at Lulu engaged in the interminable haggling that constitutes  evolution in companies like ours that are built on new ideas. We call our annual debate a strategic retreat, but in some ways it's a more brutal exercise than you would expect. Large ideas are cast up onto the screen by the bright bulb of individual ambitions only to flicker and wilt as the theater doors are cast open and the audience forced to try to reproduce the story in the harsh glare of real life. This is the third such retreat we have engaged in at Lulu (three years!) and I am perhaps more cynical than I should be. Let there be no doubt, however, that our anything-but-humble little enterprise is growing.

Having opened this door a bit, I should also add at least something about our plans. My personal favorite, of all the schemes in the making, is the addition to Lulu of the tagging system known (oddly) as del.icio.us, also recently adopted by Technorati. This represents one version of the type of social categorization system also known as folksonomies. Stephen Downes recently poo-poohed  this particular technology in the OLDaily newsletter, but I am hoping it will provide a way into the vast amount of Lulu content that currently is virtually unreachable through browsing. See Michael Feldstein's "Abandoning Taxonomies is the first ingredient of success."
[added on Sunday, Chris Anderson on why social tagging systems might not work.]

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